AquaTerraLocusGalacium

Aqua/Water   Terra/ the Earth   Locus/ Space  Galacium/ Ice

 

»Extreme environments. Constructed spaces. Living spaces.«

»To hear their voices, the variations in tone, timbre and pitch…«

 »A consiousness of an Ocean,…is always ready to begin the world anew. It is doubtful  wheater the individual imagination could raise itself up to such an admirable identity.«

As microcontinents, the islands are world examples on which selections of world forming units are gathered: their own flora, their own fauna and their own human population .

“The heart of man is very much like the sea, it has its storms, it has its tides and in its depths it has its pearls too.«

 


 

 

 

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“A depth of ligh”, 100x70cm, acrylics and washing powder, 2016

 

Aquatic images are a processual works occuring under the leadership of the automatic painting. It is, therefore,  a partial-managed process, where liquid paint takes its path through the canvas. Each application is a new layer, a new image, which leaves a trace. Layered together, they create water landscapes, shapes and textures. »Painting with a water«,  is spontaneous, intuitively guided process.  The author must first master a technique of automatism, then have the power of a discipline.  To find a balance between mind and intuition is a process which creates sensational and evocative work. “Stain” or an element may be active or passive. A passive one will create a conceptual piece, but if the stain is active, the piece is processual. At the same time, the essence of a processual art lies precisely in the anthropological tie with the original. The creation of anti-form turns us back to soil, to basic materialism where any form disintegrates, results in a new form. This leads to the appearance of stains that are falling apart or together as all biological structures. They are reminding us of the chemical reactions of each item or creature in the universe. In references to this can be find in the works of Marx Ernst. He has discovered his fantasy landscapes, structures, or supernatural beings precisely through the processual paintings. (N.Gnamuš 2010, Visual models of modernism).

 


 

 

 

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Looking through the magnifying glass

 


 

 

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A splash of silence”, acrylics and washing powder, 100x70cm, 2013

 

 

“In a curved time, the sphere invents and designs stains, holds them in existnace and perserves them in the memory.”


 

Water landscapes  are  presented in its diversed colours, shapes and textures. Their essence is to observe a macro-micro spheres; to see its particles or so to say ” to observe paintings details.” Through these images I aim to show water as spectrum; »A sphere of  shades and therefore, dimensions«. Finally, I would like  to bring the viewer closer to nature, its origin, and ultimately to himself.

 


 

 

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“Circled splash”, 100×70 cm, acrylics and sand, 2013

 

 


»When the inner silence arises, it tranforms the Self, leaving a subtle sensation that what happens has already happened a long time ago. It is captured,..in an infinite circle of water.

 

 

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“Verde Terra”, red soil and acrylics, 100×70 cm, 2013

 

»Our microsphers are first of all internal worlds of a strong relationship in which the connected parties , live and move and have their being – in an autogenous environment or mutually affecting vibrations.«

 

 

»Where nothingness is always giving in a turn for taking, it is yet unreachable claming origin, neither wanting nor forasking, yet ever present.«

 

 

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